شناسایی ساختار رنگ سفالینه های دوره مفرغ متأخر شرق دریاچه ارومیه؛ بر مبنای نمونه های کؤل تپه عجب شیر
Authors
Abstract:
Although the pottery is found in a massive amount in archaeological discoveries, these materials are the most important materials for different orientations in studies on the ancient people. One aspects of the study on ancient potteries, is the investigation about the painting and different colorants used for decorating potteries in variety patterns with different colors. This study aims to explore the ancient people knowledge and their experiments on creation of color by making up dying materials that could be found close to their dwells. The present work represented an attempt to discern experimentally the base and chemical composition of colorants used as decorative elements on ancient ceramics. Thus, five pieces of late Bronze painted pottery of the eastern Lake Urmia Basin (from the archaeological site of Kul Tepe of Ajabshir) were singled out. First, to determine whether the paint came from organic or inorganic sources and also to identify the existing anions and cations the Fourier-Transform Infrared Spectroscopy (FT-IR) technique was employed. The results demonstrated that the used coloring material has a mineral origin, where the sharp and strong peak at 465 cm-1 of the spectrums confirmed that the nature of coloring agents consists of iron oxides. Next, for elemental analysis and studying the chemical structure and composition of the colorants Scanning Electron Microscope-Energy Dispersive X-Ray analysis (SEM-EDX) was used. SEM-EDX analysis result demonstrated the presence of iron and manganese (Mn) content alongside other component elements of the ceramic bodies including SiO2, MgO, Al2O3, and K2O, where the results tallied with the FT-IR spectrums. On the basis of elemental analysis results, it could be said that iron oxides are the main components of coloring agents, where they could produce a variety of colors, ranging from red to dark brown. Moreover, the presence of manganese make the paintings darker, and consequently, the brighter nature of paintings of sample no. 3 of Kul Tepe and sample no. 1 of Haftvan could be the consequence of the miserable amount of this element (1.77 and 0.49%, respectively). Finally, in order to confirm and complete the study, the specimens were subjected to X-Ray Diffraction analysis (XRD). This experiment also showed that the pigments used in ornamenting the sherds were mineral and comprised of Agite mineral (Ca(Fe, Mg)Si2O6), as the coloring mineral, alongside other minerals including sodic and calcite feldspars. The results obtained are in good agreements with the geology of the region, where the feldspars exist as the main minerals of both sites. Therefore experimental analysis on the pigments structure that used in the painting of Kul Tepe Urmia ware decorations in different ways and various laboratory equipments demonstrated that the pigments used in the pottery decorations have mineral source and presented various iron compounds in the paint of decorations. As result of this study, the presence of iron compounds in the soil of the Kul Tepe region, it could be said the ancient people did use the natural sources of colorants for decoration of their potteries. Moreover, the techniques and materials used for decoration of the potteries were the same at both side of the Lake Urmia.
similar resources
باستان کانی شناسی سفالینه های عصر مفرغ کؤل تپۀ عجب شیر، شرق دریاچۀ ارومیه
In the Bronze Age Archaeology of Northwestern Iran (plateau), the advent of various types of handmade gray-black ceramics shows the arrival of the so-called Kura-Araxian culture. The Urmia Ware, dating to the Late Bronze Age, on the other hand, represents the revival of the buff painted pottery tradition, following the decline of the Early Bronze Kura-Araxian culture. The present work attempted...
full textبررسی مجموعه سفالینه های منقوش تپه گیان و گودین تپه موجود در موزه دفینه
چکیده مجموعهای که در پژوهش حاضر بررسی گردیده، تعداد 100 عدد سفالینه منقوش وابسته به تمدن سفال نخودی هزاره چهارم تا اول ق.م. میباشد. این آثار ارزشمند که طی حفاری از تپه گیان و گودین تپه در مرکز غرب ایران بدست آمدهاند، هم اینک به دور از بازدید عموم در مخزن موزه دفینه نگهداری میشوند و تاکنون هیچ گونه پژوهشی بر روی آنها صورت نگرفته است. هدف از انجام این پژوهش، بررسی عناصر بصری نقشمایههایی است ...
full textسازمان دهی فضایی مکان های عمومی در سکونتگاه های تپه ماهوری، نمونه موردی: تپه های سنندج
این مقاله در پی آن است که نقش تپه ها را در سازمان دهی فضایی شهر تپه ماهوری تبیین کند و در ادامه ظرفیت فضایی این عناصر را به عنوان مکان های عمومی در سنندج، توضیح دهد. مکان هایی دربردارنده هنجارهای مشترک فرهنگی که به طور منطقی و بر اساس کاراکتر طبیعی متعلق به عموم هستند و با حضور فعال آن ها کارکردها و معناهای پایدارتری می یابند. اما فرآیندهایی در طول تاریخ توسعه سنندج همواره موجب تقلیل یا حذف کار...
full textآشکارسازی خشکسالی های هواشناسی و هیدرولوژیکی جنوب شرق دریاچه ارومیه
خشکسالی از جمله بلایای طبیعی است که در مقایسه با سایر پدیده ها، هم از نظر شدت و فراوانی وقوع و هم از نظر وسعت فضایی و میزان خساراتی که به بار می آورد، از اهمیت بیشتری برخوردار است. در این پژوهش دوره های متوالی خشکسالی هواشناسی و هیدرولوژیک، با استفاده از شاخص spi و sdi در حوضه های صوفی چای و مردق چای، در جنوب شرق دریاچه ارومیه، بررسی شد و تاخیر زمانی بین وقوع دو خشکسالی مشخص شد. بدین منظور از د...
full textMy Resources
Journal title
volume 3 issue 1
pages 17- 27
publication date 2017-06
By following a journal you will be notified via email when a new issue of this journal is published.
No Keywords
Hosted on Doprax cloud platform doprax.com
copyright © 2015-2023